•• AN EARLY FROST ••
from the film AN EARLY FROST by John Erman

a film by John Erman 
1985 | 96 mins | US 

Aidan Quinn .... Michael Pierson 
Gena Rowlands .... Katherine Pierson 
Ben Gazzara .... Nick Pierson 
Sylvia Sidney .... Beatrice McKenna 
DW Moffett .... Peter Hilton 
John Glover .... Victor DiMato 
Sydney Walsh .... Susan Maracek 
Bill Paxton .... Bob Maracek 
Cheryl Anderson .... Christine 
Christopher Bradley .... Todd 
Terry O'Quinn .... Dr Redding 
Don Hood .... Dr Gilbert 
Sue Ann Gilfillan .... Nurse Lincoln 

An Early Frost 
the film that dared to bring the subject 
of AIDS into the television 
heart of America 
  This is a groundbreaking work. Not in terms of its production values. Nor even with regard to its direction. But rather in terms of what it did. Namely to address in telemovie style the then taboo subject of AIDS.

It did so in a very sincere and simple fashion, by relating the moving story of a young man who returns home and along the way has somehow to tell his family that he's both gay and HIV-positive.

The reactions by his family mirrored those held at this time by America as a whole. From that of the love of a supportive mother to the homophobic wrath of an intolerant father and from the support of a loving grandmother to a pregnant sister, scared that the virus may somehow pass to her unborn child.

The result is a work that was not so much an early frost, but more an early crusade in the depiction of a disease that was taking the lives of all too many.

For this is a film that made people stop and think, thanks largely to the highly compelling work of Aidan Quinn as HIV-positive Michael Pierson, coupled with Gena Rowlands and Ben Gazzara as the parents torn apart by the AIDS crisis arriving on their doorstep. And yet whilst Sylvia Sidney in one of her last screen appearances shines in her portrayal of a loving grandmother not afraid to hold her grandson, the real star turn lies with the remarkable performance by John Glover of a gay man battling with the disease, but who remains optimistic throughout.

And that is the underlying message here. For in times devoid of the life-enhancing drugs of today, this historic NBC production delivered a message of hope and compassion for those infected or affected by AIDS.

That said, some of the dialogue has long since dated. But does that matter when the soul and spirit of this moving film remains intact, filled as it is with compassion, hope and the will to live.

For in the end this is the film that in 1985 dared to bring the subject of AIDS into the television heart of America. And the rest, as they say, is history!
Copyright 2004 David Hall
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