For those who crave a gay love story with an emotionally realistic heartbeat, then look no further than this intensely poignant debut feature from Haim Tabakman.
For Aaron Fleischman is more than just your dedicated family man. An Orthodox Jew and pillar of the local synagogue, he’s also a man in urgent need of help in the family run kosher butchery, following the death of his father. Yet in taking in Yeshiva student Ezri, it isn’t long before Ezri’s seductive good looks and Aaron’s suppressed homosexuality see the two men get to know each other in ways that go beyond the nature of their master / apprentice bond, leaving Aaron returning home with little romantic interest, let alone sexual desire for his increasingly suspicious wife. Problem is, she’s not the only one who suspects that an affair that strikes at the very heart of their faith is the cause of her husband's guilt, pain and pleasure. Only what will be the price to pay for a relationship that in ultra-orthodox circles, is still strictly taboo.
With the obvious exception of the engrossing documentary Trembling Before G-d, few works have got under the skin to reveal exactly what it is like to be gay within a deeply religious Jewish community, one where everybody knows your name, background and business. Yet what makes this film of note, is that it does so without preaching at you, preferring instead to showcase a compelling love story that is as much a restrained insight into the rituals central to Judaism, as it is a depiction of Aaron’s world unravelling around him, as the true nature of his sexual orientation becomes apparent to one and all.
To that end, Zohar Strauss as Aaron and Israeli heartthrob Ran Danker as Ezri say as much by way of eye movements and periods of silence, as they do with passionate embraces and words. That their love is an affront to those around them, goes without saying. Yet interestingly, it is here that screenwriter Merav Doster injects a critical subplot, having Aaron rebuke a women over her love for a man outside the promised suitor chosen by her father, all the while knowing that he himself is guilty of soiling the purity of the Mafia-like enforcers of the faith, he represents. Let he who is without sin cast the first stone - indeed.
Laced with a plethora of emotions, let alone enough pathos to more than fill a multiplex, Tabakman has crafted a beautifully acted, deeply moving and remarkably thoughtful work, one that signals that being gay and an Orthodox Jew if not an oxymoron, is certainly a test of faith when face to face with the succulent temptation of the forbidden fruit of homosexual love. Simply stunning.
Gay Visibility - more than expected.
Nudity - surprisingly yes.
Overall - file under ... 4+ stars.
For those who crave a gay love story with an emotionally realistic heartbeat, then look no further than this intensely poignant debut feature from Haim Tabakman.
With the obvious exception of the engrossing documentary Trembling Before G-d, few works have got under the skin to reveal exactly what it is like to be gay within a deeply religious Jewish community, one where everybody knows your name, background and business. Yet what makes this film of note, is that it does so without preaching at you, preferring instead to showcase a compelling love story that is as much a restrained insight into the rituals central to Judaism, as it is a depiction of Aaron’s world unravelling around him, as the true nature of his sexual orientation becomes apparent to one and all.
